LEA

  • THE DICKENS PROJECT: An Urchin's View

    This year, THE DICKENS PROJECT invites residents to participate in a new way: become an urchin in Dickens' London!

    Charles Dickens, ever a champion of children, wrote stories about those who were poor and unprotected, left in the hands of the manipulative and cruel.  His child characters are often triumphant, finding ways to build lives of purpose and sometimes even happiness in a difficult time. 

    Enjoy this story, created at Urchins in Dickens' London just this week.

    ***

    Kit Becomes an Urchin

    By Aoife Lorefield

    Kit shivered in the fog. Another hungry morning. She’d slept, sort of, in the empty wagon after supping on a badly bruised apple and a bit of bread she’d grabbed before a dog could. Food all around her and she hadn’t a farthing for it, nor anything else.

    Sad thing was, she’d always wanted to see London.

    Her brother George, the one who’d gone to sea, came home once with stories about throngs of people, shops full of fancy goods, and ships with masts taller than trees. She’d dreamt of it all in the long nights and longed for that life.

    Now Mum and Dad were gone. Her and Henry had been left to the parish and after six months of that, she’d thought she’d rather die. She’d run to London and maybe she would die, here. If she couldn’t find food or a place to stay or something, anyway.

    Sounds of laughter made her shrink back against the wagon. It was far too early for market folk and she was certain she didn’t want thieves to find her. She crawled under the wagon and peered through the thick fog.

     

    The laughter came again, closer this time. It sounded like kids. What could they be doing?

    The small figures took shape in the fog. A tiny red-haired girl, her thin arms blue with cold, holding a basket with some green stuff in it. A boy, also a carrot top and almost as thin, in a green cap pulled low over his forehead. A blonde boy in a top hat. That looked ace, that did. Wonder where he got that one. A tiny little girl in a red hat.

    Kit watched as the children strolled, skipped, and danced through the market stalls. This was not the fancy market where the toffs went, not this one. This was where the mums from Camden Town came for a bit of meat and greens, or the scriveners and clerks scrounged for the coins to pay for another used book, or cabbies might stop for a cup of hot soup.

    One of the boys picked up three books and juggled them, making the youngest laugh.

    “Put ‘em back, Jo,” an older girl said sternly. “We can’t sell them so there’s no point, eh?”

    The boy Jo shrugged but did as she said.

    Instead he started juggling apples from the basket right next to her wagon. The youngest gathered around him like they’d seen this before, and it seems they had. Every few passes, he’d toss an apple to one child, who’s catch and bite into it, smiling.

    Kit was so entranced, she didn’t notice the other boy until it was too late. There he was, crouched down in front of her wagon, looking right at her.

    “Coooo, mates,” he called out. “Lookee what I found.”

    He reached in to grab her arm and she shrank back, afraid. The older girl, the one who’d told Jo to put the books back, grabbed Jo’s shoulder and pulled him back.

    “You’re scaring her, Jo,” she said, her voice stern again. “Stop it or I’ll box your ears.”

    She grabbed his ear and twisted it as she spoke and he howled.

    “I wasn’t doin’ anyfing!” he said.

    Jo ran off and the girl crouched down instead.

    “Look here,” she said, “we’re safe, mostly, and you look all alone. Come out now, let me see you.”

    There didn’t seem much choice. She couldn’t stay as she was much longer. Kit slid across the frozen ground, out from under the wagon, and stood up.

    “Are you thieves, then?” she asked the girl, trying to sound casual about the question, like she knew all about thieves and London and everything.

    The girl looked around the market at the children combing through the stalls and smiled.

    “Maybe sometimes,” she said. “We’re the ones the fine ladies and gents call urchins, don’t you know. The kids no one cares about.”

    Kit nodded, her eyes wide. In her life, right now, that’s what she was. A kid no one cared about.

    The girl put a hand on her shoulder, this time kindly.

    “You better come along with us,” she said. “We watch out for each other. We know places to find food and safe places to stay and a few ways to get by.”

    The girl turned and started to walk away. The kids were at the far end of the market now, disappearing into the fog.

    The girl turned back and waved. “Come along!” she said.

    So Kit did. She guessed she was a urchin now. Time to find out how that worked, and whether she could get by too in the big dirty city that was London.

    ***

     What was it like to be a child in Victoria's England? Become an urchin and find out!

    The Urchins in Dickens' London is a game that combines elements of the SL hunt, free form (and optional) role play, and an invitation to create (and share) your story.

    Begin by getting a copy of the Urchins hud, available at the Dickens Project landing point. Inside the package, you'll find instructions on how to get started.

    You can also find more on the special Urchins Webpages on the Seanchai Library Website. THE DICKENS PROJECT, produced by Seanchai Library, is open on LEA Region 7 through December 30th. with plenty of events, stories, things to explore and engage. Information on all features are available at the landing point.

    https://maps.secondlife.com/secondlife/LEA7/128/131/22

    ##

     

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  • A Storyteller's Notebook: May 2018

    This Month Featuring: The Poe You Really Should Get to Know, on LEA 18

    American author Edgar Allan Poe is most often thought of as the "Master of the Macabre" for such works as "The Tell-Tale Heart," "The Fall of the House of Usher," "The Cask of Amontillado," and the poem "The Raven" in a very fertile writing career that lasted two decades before his untimely death at the age of forty.  What many people overlook is that, in the canon of Poe, tales of horror and mystery claim only one part of his complete works.  Of over five dozen poems and sixty-six short stories, less than half of these deserve the moniker "macabre."  The other side of Poe, the one that laughs, is currently being celebrated on Linden Endowment for the Arts Region 18 in an installation created by Daark Gothly, Mazie Halpern, and Cienega Soon.

    In addition to "The Premature Burial" and "The Murders in the Rue Morgue," Edgar Allan Poe wrote satire, fantasy, and essays.  The LEA 18 project celebrates one of the latter, his essay "The Philosophy of Furniture" first published in the May 1840 issue of Burton's Gentleman's Magazine. It was later re-published in the Broadway Journal on May 3, 1845 as "House of Furniture."

    On the surface, the essay is a theoretical analysis of interior design. Beneath the surface lingers the keen wit and satirically raised eyebrow that we most commonly associate with the commentaries of Poe's contemporary, Samuel Clemens (Mark Twain).  Follies are exposed, and fads ridiculed.  Poe travels globe eviscerating the "styles" of the Italians, French, Chinese, Scots, Dutch, Spanish, and Russians, while lauding the superiority of the English decorative sensibilities.  The new world is not left unscathed, and Poe expresses his extreme offense at the American "well furnished apartment," and continues on to the "Hottentots" and the "Kickapoos." Poe rounds out the decorative tour by asserting the details and extolling the qualities of what he considers a "perfect room."

    The creators of The Philosophy of Furniture, which is currently open on LEA 18 through the end of this current Artist in Residence cycle (the end of June), have combined a masterful understanding of their subject with a light, whimsical hand that is perfectly tuned to the humor of this essay.  LEA 18 is fully realized fun, exploration, and the opportunity to get to know a great author just a little better.

    All the information you need to thoroughly enjoy the creation is available at the landing point (http://maps.secondlife.com/secondlife/LEA18/171/199/22). Follow along with the text, or listen to audio of the essay being read.  Take the tour to each of the nationalities touched on in the work, all featured in an open, abstracted landscape of words and visual references to the Poe canon.  The tour will lead you, finally, to Poe's Perfect Room and some prizes for successfully traversing the entire scope of the story.

     But there's no need to end your visit there!  Grab a 19th Century Penny Farthing Bicycle and zoom along the interweaving network of pathways, exploring more of Poe's words and thoughts.  You'll discover lush venues for music, dance, and spoken word.  While no events were listed at the landing point, and it does not seem that the creators planned and organized spoken word events themselves, their open invitation to anyone to present readings of Poe's work is clearly posted with the rest of the build's information.  If you are interested, and would like to be listed on the TPOF Event Board, contact Daark Gothly.

    This is really a fine example of a multi-disciplinary creation, and I only wish I had known about it sooner.  If you are reading this, and you love Poe, don't wait. Go now! The Philosophy of Furniture on LEA 18 will disappear into the virtual mists in just a few weeks.

    In Other News

    HuwTrefor Carr is a gifted actor and storyteller.  I first was introduced to his work when he joined Seanchai Library at last year's LoveFest benefiting Innsmouth.  He does not present regularly in-world, to my knowledge, but his skill with a story is unquestionable.  He recently added another offering to his The Black Dog Chronicles YouTube Channel. The new piece, "Scary Stories - The Face in the Mirror" is an inspired rendering of the late Welsh writer, Denys Val Baker's, chilling tale.  A deft hand with character, tone, pacing, and dialect, Carr's work is a study in how it should be done.

    Check out "Scary Stories - The Face in the Mirror" on YouTube and judge for yourself.

    Tea Time at Baker Street, one of Seanchai Library's mainstay Sunday afternoon offerings, will be returning, beginning June 2nd, with A Study in Scarlet, as the Tea Time crew approach their second complete circuit of the Sherlock Holmes canon of Sir Arthur Conan Doyle.  The 1887 adventure introduces Holmes and Watson to each other, firmly establishing them as roomies in the soon to be familiar apartments at 221B Baker Street.

    Written in two parts, the first takes place in the story's 1881 "present," establishing Dr. Watson as the narrator and chronicler of Holmes' further exploits, and introducing the case. Part II: "The Country of the Saints" explores the story behind the crime, leading back over three decades to a group of Utah pioneers, a man and woman in love, and a terrible crime of power.

    A Study in Scarlet will be presented in four one hour installments, beginning June 2nd, at 1:30pm slt in the Fireside Room at Seanchai Library's Main Branch on Holly Kai.  The sessions are presented live in voice.

    ***

    Know of a cool spoken word venue or related project?  Send me a notecard (Caledonia Skytower) with the basics and a landmark, and I will be happy to check them out as a possible feature.

    This Month's Quote:  I would define, in brief, the poetry of words as the rhythmical creation of Beauty.

    ~ Edgar Allan Poe

     

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  • POETRY OF THE PLANETS Opens on LEA 4

    A new project opens on Linden Endowment for the Arts Region 4 Sunday, April 2nd.  Poetry of the Planets is a community poetry project conceived and created by Caledonia Skytower, known best for her work with Seanchai Library.  Skytower combines her decades of real world professional experience in theatrical design, with a life long involvement in both vocal and instrumental music, to conjure an installation whose intent is to inspire the writing of poetry.

    No stranger to writing Skytower, who has self-published nine titles of of fiction, poetry and reflective essays, sees this as a re-arrangement of something she has been doing for years. "This goes back to the beginning of my career, before i designed my first musicals and operettas.  I would always come up with a play list of music to have running while I worked on a show. I was weened on Disney's Fantasia, and I have a keen appreciation for how music can heighten a creative journey."

    Inspired by Gustav Holst's symphonic suite The Planets, Skytower has created seven "planets"  in the air above LEA 4, each themed to a different movement:  Venus; the Bringer of Peace, Mercury: the Winged Messenger, etc. Residents can teleport from the terrain level to each location, use a URL link station to play that particular movement of Holst's symphony in their internet browser, explore the environment that has been inspired by the music, and are then invited to be inspired themselves to write poetry.

    Poems can be submitted  to be the featured poem of the day on the  Poetry of the Planets project blog, which will also be shared on facebook and Google +. Writers retaining full rights to their compositions.   In May, Skytower will select poems to be featured at a live reading event.  Additionally, a poetry resource center is available at LEA 4 for those interested in cultivating their muse.

    Information can be found on the project blog, and at the installation itself.  Poetry of the Planets will be open through the end of May on LEA 4.

    http://maps.secondlife.com/secondlife/LEA4/130/119/30

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  • LEA27 - Evre Closing Event - New Year's Eve Bash



    EA27 - EVRE
    G R A N D  C L O S I N G  E V E N T
    ** NEW YEARS EVE BASH **
     
     
    I'm going to make this simple.
    Happy New Year !!!
    Open house for up to 75 guests!!
    What will the event be?  Find out when you get here *mauhmauhmauh*
     
    There is a premise for the event, however.
    "Time does not exist.  Therefore, we will all run into each other at some point."
     
    Thank you to EVERYONE who participated, dreamed of, wrote about, played in, explored, danced in, enlightened, educated, photographed, videotaped, contributed to, co-invented, ignored lol, missed out on, got lost in, met your soul mate in, and made EVRE a permanent memory!!  I love you all!
    ~Tah
     
    DATE:  Saturday Dec 31, 2016
     
    EVENT LENGTH:  5 minutes to 11 hours, depends on your participation lol
    TIMES:
    12:00 pm SLT
    1:00 pm SLT
    3:00 pm SLT
    5:00 pm SLT
    7:00 pm SLT
    (OR Arrive any time between)
    LANDMARK:  Will be placed at the Main Landing Point when it's ready lol
    ONLY RULE:  No need to be punctual (this is new lol)
     

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  • LEA29 -- The Brave - Closing Concert with Ultraviolet Alter, December 30th at 2pm SLT



    CLOSING CONCERT 
    FRIDAY 30TH DECEMBER AT 2PM 
    WITH ULTRAVIOLET ALTER PLAYING TO SAY FAREWELL TO THE SIM
     
    Ultraviolet's superb live improvisation and experimental original music in three dimensional virtual immersive worlds grace many art installations and film. Her work explores many ideas and philosophies. Her concert is the perfect finale for the time we have spent together at The Brave CoLab Evolution exploring alternative ways of living our lives through the medium of the arts of the metaverse.
     

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